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Matthieu Laurette : ウィキペディア英語版
Matthieu Laurette

Matthieu Laurette (born 1970 in Villeneuve Saint Georges, France) is a media and conceptual contemporary French artist who works in a variety of media, from TV and video to installation and public interventions.
He lives and works in Paris, Amsterdam, Bogotá, Mexico and New York.
==Biography==

In 2003, Laurette received the Ricard Prize for the most representative artist under 40 y.o. within the French scene.
Laurette uses various strategies to explore the relationships between conceptual art, Pop art, Institutional Critique, economics and contemporary society. His best known works are ''Apparitions'' (1993-ongoing), ''Money-back Products'' (''Produits remboursés'') (1991–2001), ''Citizenship Project'' (1996-ongoing), ''El Gran Trueque'' (2000) and ''Déjà vu, The International Look-alike Conventions'' (2000-ongoing), I AM AN ARTIST (1998-ongoing), THINGS: Purchased With Funds Provided By (2010 – 2020) and Tropicalize Me! (2011-ongoing).
In 1993, Laurette declared himself an artist in a French TV gameshow called ''Tournez manège'' (''The Dating Game''). When the presenter asked him who he was he replied: 'A multimedia artist'. Laurette had sent out invitations to an art audience to view the show on TV from their homes.
Since his first ''Apparition'' on ''Tournez Manége'', Laurette has been developing an ongoing series of what he calls 'Apparitions' on TV and in the media. (In French the word Apparition means both 'apparition' and 'appearance'). Among other shows he has appeared in ''La Grande famille'', Canal +, TV (France) (December 5, 1994), ''Je passe à la télé'', France 3, TV (France) (May 16, 1996), ''Journal de 13h'' et ''Journal de 20h'' France 2, TV (France) (May 16, 1997).
Laurette’s ''Apparition: The Today Show, NBC, 31 December 2004, (Guy Debord Is So Cool!)'' (2004) renegotiates the critique of mass media: amongst love message banners and goofy signs being held up by the audience of the outdoor-broadcast of the NBC infotainment show on Rockefeller Plaza in New York, Laurette held a pink cardboard sign stating “GUY DEBORD IS SO COOL!”
Laurette's ''Produits remboursés/Money-back Products'' (1993–2001) was his method of shopping and being fully refunded based on the basic marketing system of the major food and commodities corporations. He fed and cleaned himself for nothing by almost only ever buying products with "Satisfied or your money back" or "Money back on first purchase" offers. He gained fame in France and abroad at the time appearing on TV and media including in 1997 the French National evening news (Journal de 20h, France 2) and the frontpage of respected daily newspaper Le Monde with the headline 'Tomorrow we will eat for free' (Demain on mange gratis). In 1999 the Daily Express in UK featured him in an article titled "The secret of free shopping" and in 2000 the Daily Record named him 'The Freebie King'. In 2001 invited by Harald Szeemann curator of the 49th Venice Biennale he presented ''Moneyback Life!'' a large retrospective installation combining enlargements of press cuttings, a truck with an integrated TV wall showing TV clips of his ''Apparitions/Appearances'' and a life size wax figure of himself pushing a shopping cart full of Moneyback products.
''Citizenship Project (Wanted: Financial Support to Acquire Citizenships)'' are a series of projects where Laurette attempts to acquire as many nationalities as possible, asking for donations as well as legal advice and practical support through donation boxes displayed in Museums and exhibitions as well as through websites. At the Venice Biennale in 2001, he offered non-represented countries national participation in the exhibition in exchange for the country granting him citizenship.
Produced by Consonni, ''El Gran Trueque (The Great Exchange)'' (2000), the TV game Laurette has created, with its own copyrighted concept, offerered TV viewers in Bilbao a chance to buy objects in exchange for a car offered by Laurette – the highest offer would be accepted, and then in turn be presented the following week for another exchange, and so on. After a few months the series of swaps finished with a set of six blue glasses that remained unswap.
The ''Déjà vu - International Look-Alike Conventions'' featuring among others Jennifer Aniston, Sean Connery, Salvador Dalí or Angelina Jolie look-alikes mingling with the crowd of art people, collectors and real celebrities are organized by Laurette on the occasion of art openings. These events have so far been held at Dia Art Foundation Fall Gala, New York (2004), Institute of Contemporary Art, London (2003); Contemporary Art Centre, Vilnius, Lithuania (2003); Perth Institute of Contemporary Arts, Australia (2002); Artsonje Center, Seoul (2002); Castello di Rivoli, Torino (2001); and Centre Pompidou, Paris (2000).
Matthieu Laurette has been represented by Yvon Lambert, Paris (France); Deweer Gallery, Otegem (Belgium); La Central, Bogotá (Colombia), Blow de la Barra, London (UK); Yvon Lambert Gallery, New York (U.S.); Jousse Entreprise, Paris (France); Jousse Seguin, Paris (France).
Nicolas Bourriaud describes Laurette as "using society as a catalog of forms...he plays with economic forms as if they were the lines and colors of a painting." (Bourriaud 2002, p16).

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